The Keepers screenshot
Features

The Investigation of a Nun’s Murder Delivers a Death Blow to the False Memory Narrative

The Keepers, a documentary series about the 1969 murder of a Catholic nun, is currently available on Netflix. This article contains spoilers. [Updated 9/23/2017]

The Keepers follows the progress of a devoted amateur team of investigators as they uncover a trafficking ring run by a Catholic priest in Baltimore in the late 1960’s. Victims, mostly teenage girls at the time, recount being raped not only by the priest, but a cast of shady characters including police officers and politicians. They also recount that the priest, a psychologist, drugged, and hypnotized them.  Continue reading

Standard
Features

Naming the Unspeakable: Non-State Torture

Linda MacDonald, Jeanne Sarson

Linda MacDonald, Jeanne Sarson

“It’s like racism or sexism, you have to pull these things out. It’s like a tooth that’s festering, until you say it’s infected, until you name it, it goes on hurting.” Jeanne Sarson

Linda MacDonald and Jeanne Sarson are two nurses from Truro, Nova Scotia. In their spare time, they offer counseling services to women. It was in this context that they met with and became dedicated to victims of hidden and organized extreme violence. Their professional advocacy for these marginalized women expanded into political activism, and after two decades, their successes on the global stage are yet unmatched. Indeed, they inhabit a sphere and path entirely of their own making. It all began over twenty years ago with a late night phone call.
Continue reading

Standard
Nick Bryant
Interviews

Interview with Nick Bryant

In 2009, when Nick Bryant’s book, The Franklin Scandal: A Story of Powerbrokers, Child Abuse and Betrayal came out, I immediately ordered a copy. When it arrived, more than 600 pages of it, I dove in with excited anticipation which all too quickly became a slow slog. Its complexity, its journalistic imperative, and its fastidious attention to detail—all the things that name it authentic and critically important—stopped me in my tracks. My survivor mind couldn’t cope with its objectivity, its compelling and sequential truth. My cognitive allegiance was to the survivors and the inchoate and inarticulate truth of their struggle. Bryant was writing about the legal logistics of horrendous crimes against children and the resulting cover-up. In the Franklin Scandal he details the real-time unfolding of the attempts, heroic and dogged on the parts of those who tried to bring justice to light, as well as on the parts of those doing everything possible to thwart justice and destroy survivors. It is a legal playbook that illuminates shocking miscarriages of justice and callous and conniving cover-up. But I couldn’t read it. I couldn’t track it. Continue reading

Standard
Features

Disinformation and DID: the Politics of Memory

This article was originally published on DIDiva.com and other sites, but we thought it important enough to republish here in our first issue. -Eds.

This essay is not meant to be comprehensive. Instead it is the attempt to connect some dots that are rarely considered or discussed—hopefully providing a new way to view the politics of memory and of DID in particular. It is designed to generate discussion and suggest areas of further study. There is an old saying: “Don’t bite my finger—look where I am pointing.”
Continue reading

Standard
Features

Who We Are: Janet Thomas

For this first issue, as a means to further introduce you to Borne, we thought to offer you selections of our own work. -Eds.

Janet Thomas is an author, editor, playwright, and teacher. Over the last few years, she’s traveled to India to teach the art of memoir writing. Below is an excerpt of her 2011 Nautilus Award winning book.


Day Breaks Over DharamsalaDay Breaks Over Dharamsala, A Memoir of Life Lost and Found

Chapter 10

For more than twenty years I have wrestled with, and been wrestled by, the truth. When I collapsed in the middle of my kitchen between Christmas and New Year’s, 1984, I had no idea that I was falling off the edge of my world. I had no idea that the inner framework of my life was imploding, and that the rest of my life would become a psychological reconstruction zone. The moment was visceral and paralyzing. I could no longer make my self up. But it would be years before I could even begin to describe what happened to me. And the way in to my truth was through lies. Continue reading

Standard
Art

Who We Are: Lynn Schirmer

For this first issue, as a means to further introduce you to Borne, we thought to offer you selections of our own work. -Eds.

The works included here are typical, drawing is my primary medium, but I also paint and make sculpture. Continue reading

Standard